Sleep is the new sex!
5 Comments Published by FM 90.1【言樂坊】 on Saturday, October 29, 2005 at 4:48 PM.
Acts confirmed include:
- Feeder
- The Brian Jonestown Massacre
- Soler
- DJ Marky & Stamina MC
- Joris Voorn
- Robot
- Uptown Rockers
- Shotgun She
- Ras
- Frankie Lam
- The Academy
- Qiu Hong
For more info: www.rockit-hk.com
Brit-pop albums you should try... if you haven't already
5 Comments Published by FM 90.1【言樂坊】 on at 2:33 PM.
Equally Cursed and Blessed - Catatonia
All Change - Cast
Olympian - Gene
Moseley Shoals - Ocean Colour Scene
From Here On In - South
The Queen Is Dead - The Smiths
Different Class - Pulp
Great Escape - Blur
A Northern Soul - Verve
Sci-Fi Lullabies - Suede
The Stone Roses - The Stone Roses
Pills Thrills & Bellyaches - Happy Mondays
K - Kula Shaker
The Bends - Radiohead (hehe... of course)
Morning Glory - Oasis (oh well... gotta give them the credit... they deserve it)
Lovely - Primitives
Some Friendly - The Charlatans
I Should Coco - Supergrass
~enjoy!
This week we go beyond chinese music... yohoo
Music: Pure Saturday (Indonesia), Furniture (Malaysia), Damn Dirty Apes (Malaysia), Lucy in the loo (Malaysia), Sky in Euphoria (Singapore), Kid koala (Canada), and more chinese music as usual... hehe
Spoken Word: again you'll have to listen to find out lor...;)
cheers...
Music: Pure Saturday (Indonesia), Furniture (Malaysia), Damn Dirty Apes (Malaysia), Lucy in the loo (Malaysia), Sky in Euphoria (Singapore), Kid koala (Canada), and more chinese music as usual... hehe
Spoken Word: again you'll have to listen to find out lor...;)
cheers...
病癥:
1.當收聽平平乏味而情情搭搭的中文音樂時;
2.當收聽主流媒體花考而多餘的節目時;
病人對以上情況產生嚴重嘔吐反應
處方:
- 收聽FM90.1【言樂坊】治療
- 每周一次(星期六)
- 每次兩小時(中午12-2pm)
注意: 費用全免,效果視個人而異
副作用: 嘔吐反應可能加強
1.當收聽平平乏味而情情搭搭的中文音樂時;
2.當收聽主流媒體花考而多餘的節目時;
病人對以上情況產生嚴重嘔吐反應
處方:
- 收聽FM90.1【言樂坊】治療
- 每周一次(星期六)
- 每次兩小時(中午12-2pm)
注意: 費用全免,效果視個人而異
副作用: 嘔吐反應可能加強
Sunno)))
Venue: The Brickyard
Date: Oct 26
Rachel's with Invert
Venue: Richard's on Richards
Date: Nov 7
Super Furry Animals with Caribou
Venue: Richard's on Richards
Date: Nov 26
Echo & The Bunnymen
Venue: Richard's on Richards
Date: Dec 2
Tix: C$25
Venue: The Brickyard
Date: Oct 26
Rachel's with Invert
Venue: Richard's on Richards
Date: Nov 7
Super Furry Animals with Caribou
Venue: Richard's on Richards
Date: Nov 26
Echo & The Bunnymen
Venue: Richard's on Richards
Date: Dec 2
Tix: C$25
演唱會感想 Sigur Rós – Building Sonic Cathedrals City by City
4 Comments Published by FM 90.1【言樂坊】 on Saturday, October 01, 2005 at 12:25 PM.
By Charles Tai
On Tuesday, September 27, 2005, Reykjavik-based space rock quartet Sigur Rós delivered a smashing show at the Orpheum Theatre, in promotion of their first major label full-length release Takk (2005). Charles Tai, co-host of Saturday’s That Chinese Show, had this to say, after seeing the show.
Ah… Iceland. This desolate speck of land that forever floats in the middle of the Atlantic Ocean surely must have been planted on earth by some 4-eye creatures from Uranus. Its population must have been fed with milk made from the outer limit of the infinite cosmos. Its radio stations must have been playing encrypted audio signals transmitted from a distant galaxy. What else could explain the eerie lunar landscape found on this island? What else could inspire the extraterrestrial yet breathtaking sound that its people seemed to have the unique aptitude of making?
Well, perhaps these propositions were somewhat exaggerated, but one does not have to look far for a supporting argument. Sigur Rós is a case in point. Are they really just four guys making music, or are they here on a mission to put a spell on us so that their friends from outerspace would some day rule the world? Maybe I’m going insane, but you get the point.
Ever since the release of their international debut Ágætis Byrjun (1999), Sigur Rós, whose popularity was already massive in their homeland, was now vying for world domination. On the eve of their Vancouver show, hundreds of followers eagerly lined up outside the venue long before the official start time. Just by glancing at the crowd, you could find homeless-looking hipsters, limo-riding yuppies, and elderly season ticket holders all mingled together. Once inside the lavish chandeliered halls of the Orpheum Theatre, one could not help but be overwhelmed by the holiness of the event.
As the lights dimmed, Amina, the all-girl backing orchestra of Sigur Rós, stepped on stage to play a few ditties to warm up the audience. The group seemed to have transported an entire universe of musical gears onto the stage. Amongst the heap of foreign instruments, one could spot a shinny blade of saw, a series of ding bells, several gong-like string instruments, and a variety of violins, cellos, xylophones, glockenspiels and organs. However, few were impressed by their sparse wintry music. Even fewer were able to tell one song apart from another. Most people would agree that they sound better playing behind their fellow countrymen.
Joined by Amina, Sigur Rós kicked off their 2-hour set with the new song, Glosoli, behind a sheer white curtain, lit with mysterious silhouettes of the band. As the curtain pulled back for the second song, audience were greeted with the saintly figures of Jón þor Birgisson (vocals, guitars), Kjartan Sveinsson (keyboards), Orri páll Dýrason (drums) and Georg Holm (bass). As soon as Birgisson positioned the infamous bow across his guitar, the crowd knew they were in for a goosebumps-raising and spine-chilling experience.
The band played tunes mainly from both Takk (2005) and their breakthrough album Agaetis Byrjun (1999). Highlights included Ný batterí, Viðrar vel til loftárása and Gong, which the band stopped midway due to a faulty piano. Without a doubt, the pinnacle of the night had to be Svefn-g-englar. Here, Birgisson’s signature voice was even more impressive live than on the recording. The dynamic highs and lows of the song were impeccably delivered, as Birgisson cautiously draw his bow to give it that searing texture. It was a precious moment. The band ended the show with Untitled #8, last track from the 2002 ( ) album. The crowd gave the Icelandic sonic architects a resounding ovation, to which the band responded by taking two extended bows.
Regardless whether or not Sigur Rós have inherited genes from outerspace ancestors, one thing we can all agree on is that they make brilliant music. Their music seemed to speak a language that touches deep inside the tissues and fibres in all of us.
For more information on Sigur Rós, please visit their official website: http://www.sigur-ros.is
On Tuesday, September 27, 2005, Reykjavik-based space rock quartet Sigur Rós delivered a smashing show at the Orpheum Theatre, in promotion of their first major label full-length release Takk (2005). Charles Tai, co-host of Saturday’s That Chinese Show, had this to say, after seeing the show.
Ah… Iceland. This desolate speck of land that forever floats in the middle of the Atlantic Ocean surely must have been planted on earth by some 4-eye creatures from Uranus. Its population must have been fed with milk made from the outer limit of the infinite cosmos. Its radio stations must have been playing encrypted audio signals transmitted from a distant galaxy. What else could explain the eerie lunar landscape found on this island? What else could inspire the extraterrestrial yet breathtaking sound that its people seemed to have the unique aptitude of making?
Well, perhaps these propositions were somewhat exaggerated, but one does not have to look far for a supporting argument. Sigur Rós is a case in point. Are they really just four guys making music, or are they here on a mission to put a spell on us so that their friends from outerspace would some day rule the world? Maybe I’m going insane, but you get the point.
Ever since the release of their international debut Ágætis Byrjun (1999), Sigur Rós, whose popularity was already massive in their homeland, was now vying for world domination. On the eve of their Vancouver show, hundreds of followers eagerly lined up outside the venue long before the official start time. Just by glancing at the crowd, you could find homeless-looking hipsters, limo-riding yuppies, and elderly season ticket holders all mingled together. Once inside the lavish chandeliered halls of the Orpheum Theatre, one could not help but be overwhelmed by the holiness of the event.
As the lights dimmed, Amina, the all-girl backing orchestra of Sigur Rós, stepped on stage to play a few ditties to warm up the audience. The group seemed to have transported an entire universe of musical gears onto the stage. Amongst the heap of foreign instruments, one could spot a shinny blade of saw, a series of ding bells, several gong-like string instruments, and a variety of violins, cellos, xylophones, glockenspiels and organs. However, few were impressed by their sparse wintry music. Even fewer were able to tell one song apart from another. Most people would agree that they sound better playing behind their fellow countrymen.
Joined by Amina, Sigur Rós kicked off their 2-hour set with the new song, Glosoli, behind a sheer white curtain, lit with mysterious silhouettes of the band. As the curtain pulled back for the second song, audience were greeted with the saintly figures of Jón þor Birgisson (vocals, guitars), Kjartan Sveinsson (keyboards), Orri páll Dýrason (drums) and Georg Holm (bass). As soon as Birgisson positioned the infamous bow across his guitar, the crowd knew they were in for a goosebumps-raising and spine-chilling experience.
The band played tunes mainly from both Takk (2005) and their breakthrough album Agaetis Byrjun (1999). Highlights included Ný batterí, Viðrar vel til loftárása and Gong, which the band stopped midway due to a faulty piano. Without a doubt, the pinnacle of the night had to be Svefn-g-englar. Here, Birgisson’s signature voice was even more impressive live than on the recording. The dynamic highs and lows of the song were impeccably delivered, as Birgisson cautiously draw his bow to give it that searing texture. It was a precious moment. The band ended the show with Untitled #8, last track from the 2002 ( ) album. The crowd gave the Icelandic sonic architects a resounding ovation, to which the band responded by taking two extended bows.
Regardless whether or not Sigur Rós have inherited genes from outerspace ancestors, one thing we can all agree on is that they make brilliant music. Their music seemed to speak a language that touches deep inside the tissues and fibres in all of us.
For more information on Sigur Rós, please visit their official website: http://www.sigur-ros.is
604.291.5797
thatchineseshow@hotmail.com
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